Sign In. Jail Bait Hide Spoilers. MartinHafer 20 January
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We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. In , a year-old Fiona Apple graced the November cover of Spin magazine, her blue eyes piercing the page, glossed lips smirking. Instead it paints Apple, in disturbing detail, as a sexy, bothered teen, a talented troublemaker for your lust and contempt. But on her fifth album, Fetch the Bolt Cutters , out last Friday, she dissects them. Time disintegrates and relationships blend together. Apple had this spiritual epiphany in while on a six-day meditation trip with about 75 other women. Now, she widens the scope of her introspection. She recorded herself banging instruments against couches and walls, a metal butterfly and a stove top she found in an alley, repeating vocals in freewheeling mutations. Apple fights infatuation with indignation and fends off the urge to nurture with rage.
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Sign In. Three for the Road Hide Spoilers. SnoopyStyle 10 April
The picture tells the wild-ride story of the all-girl band whose music, over the course of a three-year recording career in the mids, met with radio incomprehension in this country, but won fans abroad and set a template for the female rock groups that would follow. This is the awkward part. Currie's evolution from a year-old Bowie fan with a screwed-up family to a jailbait icon with a screwed-up head drugs, booze, the usual provides the movie's emotional center; but the story's natural focus should logically be Joan Jett, the band's darkly compelling guitarist and most productive songwriter. Turning her into a supporting character throws the film off. Still, more than any movie since "Almost Famous," "The Runaways" captures the intoxicating power of rock-and-roll music to transform young lives — to lift teenage nobodies up into the clouds of stardom and then, more often than not, dump them back down into the real world they had dreamed of escaping. The director, Floria Sigismondi, a music-video veteran making her first feature, has admirably refrained from shooting the picture like a music video; and she doesn't exploit the story's lesbian motif for cheap thrills. She's also been fortunate in casting her lead actors — it's hard to imagine how Dakota Fanning as Currie , Kristen Stewart as Jett and Michael Shannon as the band's raving, madman manager, Kim Fowley could be any better in their roles. The Runaways weren't the first all-girl band — Goldie and the Gingerbreads had major-label singles in the '60s and opened for the Rolling Stones , and Fanny released well-regarded major-label albums in the early '70s big fan: David Bowie. But the Runaways had the times on their side, coming together in late , just as punk rock was welling up in New York City. They were never exactly punk-rockers themselves their sturdy guitar riffs derived from an earlier hard-rock style ; but in their pugnacious attitude, they happily affiliated with the new loud-and-fast musical movement.
